I first came across Suzanne Rivecca’s book Death is Not an Option when a co-worker said to me, “Why haven’t you read Suzanne Rivecca’s book ‘Death is Not an Option’?”
It is an extraordinary collection of short stories filled with everything you would want out of something you would read. And not only is Ms. Rivecca (pictured at right) the sister of our own Colleen Rivecca, Advocacy Coordinator in our Social ACTion program, but she is also a former staff member of St. Anthony’s herself, having worked at SAF as a grant writer.
We at St. Anthony’s have recently discussed starting a writing group as well as a blogging class for our guests, something to enable them to be able to tell their own stories. Ms. Rivecca has been kind enough to assist us with the project. She was also kind enough to answer a few of my questions about her work and her experience at St. Anthony’s.
When did you first realize that you wanted to be a writer? And what is it about writing that you enjoy the most?
I’ve felt compelled to write since I was about 5 years old—as far back as I can remember, actually. There was never any question about it. Writing always felt like a sacred and incorruptible refuge, a mode of expression that was mine alone. It’s an art, but it’s hard for me to intellectualize it and talk about it abstractly, because it’s also such a personal thing and has always felt utterly instinctive. I’ve always been fiercely protective of it.
How did you first become aware of St. Anthony´s?
I started working at St. Anthony’s as a grant writer as soon as I moved to San Francisco, in 2005. I randomly applied for the job, having never worked at a social services organization before, so it was very illuminating for me. When I showed up for the interview, I remember thinking, “Oh, so I guess this is the famous Tenderloin!” So my earliest memories of San Francisco are intertwined with my crash-course introduction to the circumstances of people who are struggling to survive in this city, and doing so with such grace and resilience and hope. My first week at St. Anthony’s was spent visiting each of the programs—the dining room, JEVA, the clothing store, the Madonna residence (which was still operated by SAF then), the Father Alfred Center, the medical clinic—so that I could get a sense of the vision and breadth of the organization and the diversity and range of its guests. And that was one of the most eye-opening weeks of my life. People would tell me “It must be depressing to work in the Tenderloin,” but it never was. Every interaction I had with guests, every time I saw one of the programs in action, I came away feeling uplifted and hopeful.
What do you remember most or enjoy the most about your time here?
One of the things that touched me most about working at SAF was how willing so many of the guests were to tell their stories, and how they were filled with stories that NEEDED to be told. I could relate to that mentality, and I recognized it. Whether it was listening to one of the Fr. Alfred participants tell his story to a roomful of visiting high school kids, or just hearing someone in the dining room talk about the past, I was struck by the compelling urgency of these narratives. It reminded me of why I write. You don’t necessarily need an audience, but you need a platform. You need to carve out enough mental and emotional space to articulate what too often goes unarticulated, invisible, and unacknowledged. Creating a narrative is a way of correcting that imbalance; it tips the balance in favor of truth, dignity, integrity, complexity. That’s why we tell stories, and that’s the impression I got listening to guests tell theirs.
Do you think your experience here or with other non-profits had an impact on your work? And if so, how so?
Definitely. Working at SAF, as well as the nonprofit I work for currently, Homeless Youth Alliance, has informed my writing immeasurably. The collection of stories I’m working on now is about the spectrum of the homelessness issue in San Francisco, and touches on all aspects and all perspectives, from service providers to law enforcement to local government and, of course, to people living on the streets. The misinformation about homeless and low-income people that’s propagated in certain circles needs an antidote. And the truth about this issue isn’t necessarily pretty or simplistically inspiring, but it still needs to be given a voice, because it’s a matter of humanity, of authentic representation. I feel a need to try and do justice, via my work, to the complexity and nuance of this situation. And that’s something that gets lost all too easily in political rhetoric and scapegoating.
What are your future plans, both in fiction and in the stranger than fiction world we live in?
In addition to working on the story collection I mentioned above, I’ve been working on a historical novel for the past couple years. It’s coming along. And in January, I’m leaving for what I hope will be a great adventure: living in Budapest, Hungary for an indeterminate amount of time. I’m hoping to finish my second book there and really immerse myself in a fascinating culture.